Here’s the translated title in English: “See Internet Transmissions with Commentary for the Oscars Here

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The 2026 Oscars ceremony will take place this Sunday at the Dolby Theatre in Los Angeles. In 2029, the Oscars ceremony will stream live on YouTube, allowing viewers to watch the event on their phones or tablets. TNT and HBO Max will broadcast the ceremony starting at 8 PM (Brasilia time), while TV Globo will begin its broadcast after Globo News Fantastico at 9 PM. In addition to these broadcasts, several online platforms will offer live-commentated transmissions via YouTube: Meteor Brazil: The sports commentary channel begins its transmission at 7 PM, with commentary from Lucio Jr., Ana Lesnovski, Daiane Oliveira, and Pedro Zambarda. Folha TV: The news channel’s transmission starts at 4 PM, with Pedro Zambarda, Lindiane Seno, Paola Costa, and Lucio Jr. DCM: This platform’s transmission starts at 6 PM, featuring Thiago Suman, Guilherme Suman, Tuca Andrada, Lucelia Santos, Paulo Betti, Thiago Lacerda, Antonio Pitanga, Leticia Sabatella, Anselmo Vasconcellos, Elisa Lucinda, Silvero Pereira, Jackson Antunes, Roberto Birindelli, Bemvindo Sequeira, Mauro Lima, Lorena Comparato, and journalist Gabriel Siqueira. Cast members from The Secret Agent (Brazil’s entry in four award categories), including Kaiony Venancio, Rubens Santos, Suzy Lopes, Roney Villela, and Buda Lira, will also participate.

Nerd JN, Azaghal, Katiucha Barcelos, and Max Valarezo: A broadcast at 6:30 PM featuring an original verse from these personalities. Omelete: Transmission scheduled for 6 PM on this pop culture site. Amado Mundo: The channel’s broadcast begins at 7 PM, featuring a conversation between journalist Guilherme Amado, journalist Beatriz Bulla, and film critic Miguel Barbieri. Journalist Isabella Faria will report live from Los Angeles. Folha de S.Paulo: The newspaper’s commentary on the red carpet and ceremony begins at 7 PM, led by journalist and presenter Zeca Camargo, with guests including fashion journalist Erika Palomino, Folha’s film critic Inacio Araujo, film critic and podcast host Ieda Marcondes, film critic and professor Lucia Monteiro, and journalist Paulo Correa.

Academy Awards viewership has declined since 2021, struggling to reach 20 million viewers after consistently exceeding that number for decades. This decline coincides with significant shifts in media consumption. For example, in 2025, Americans spent 16.7 trillion minutes streaming content. Instagram introduced a TV screen app in 2026, and Netflix now offers podcasts. In 2025, four of the ten Best Picture nominees grossed less than $50 million globally, and in a recent year, two Best Picture nominees were Netflix exclusives, which tend to have lower engagement than traditional releases. Awards shows now compete with entire digital ecosystems. Social media has created direct connections between stars and fans, potentially diminishing the mystique surrounding celebrities and impacting the cultural influence of the Oscars. As [Observer.com](https://observer.com/2022/03/willsmithsoscarsslapandthepoweroflivetv) noted, young moviegoers who follow trends on social media are more likely to be influenced by online creators and frequently use multiple streaming platforms. YouTube reportedly bid a nine-figure sum for the Oscars rights, despite their limited experience producing live events. An exclusive NFL game on YouTube attracted fewer viewers than the NFL’s average viewership across linear TV and streaming platforms last season, indicating that streaming services cannot yet match the reach of traditional broadcasts.

Streaming the Cultural Narrative: Oscars Reflect Modern Times

The Oscars are adapting to the current media landscape of streaming, social media, and algorithm-driven content selection, even if they no longer set the cultural agenda. Historically, nominated films reflected prevailing cultural sentiments, such as Platoon (1986) and The Hurt Locker (2009) addressing the realities and cultural issues of different wars, and Wall Street (1987) and The Big Short (2015) exploring the theme of greed. If you know of any other livestreams we may have missed, please share them in the comments below. This text does not necessarily reflect the opinion of Portal Uai.

In Case You Missed It

In our continued exploration of the power of gaming and its ever-evolving landscapes, we have three exciting updates to share with you. Firstly, Marcus Thompson has just published “Roblox, Games for Change, and USP Launch Challenge with Prizes Up to $3,000” on March 14th, where he explores the inspiring ‘Jam For Change’ initiative led by Gilson Schwartz at USP’s Department of Film, Radio, and TV. This challenge encourages developers to create games promoting positive connections and online safety using Roblox Studio, with prizes up to $3,000 – a fantastic opportunity for creators to make a difference while showcasing their skills Roblox, Games for Change, and USP Launch Challenge with Prizes Up to $3,000. Meanwhile, Capcom fans are thrilled for the upcoming live-action Street Fighter film, as Marcus Thompson’s recent interview with series director Takayuki Nakayama reveals an intelligent adaptation that respects and celebrates the franchise’s legacy, featuring stars like Cody Rhodes as Guile and Jason Momoa as Blanka. This cinematic showdown is set to premiere worldwide on October 16, 2026 Street Fighter Is a Very Intelligent Film, Says Capcom. Lastly, Marcus has shed light on Microsoft’s cancelled Project Moorcroft in his exposé “Microsoft Cancels Project Moorcroft”, published March 15th. Discover the fate of Xbox’s ambitious project to integrate playable game demos into its Game Pass subscription service and why it was ultimately shelved after nearly four years Microsoft Cancels Project Moorcroft.