{"id":130612,"date":"2026-03-21T13:00:42","date_gmt":"2026-03-21T13:00:42","guid":{"rendered":"https:\/\/playersforlife.com\/2026\/03\/21\/le-dialogue-politique-qui-unit-the-secret-agent-et-une-bataille-apres-l-autre\/"},"modified":"2026-03-21T13:10:14","modified_gmt":"2026-03-21T13:10:14","slug":"le-dialogue-politique-qui-unit-the-secret-agent-et-une-bataille-apres-l-autre","status":"publish","type":"post","link":"https:\/\/playersforlife.com\/fr\/2026\/03\/21\/le-dialogue-politique-qui-unit-the-secret-agent-et-une-bataille-apres-l-autre\/","title":{"rendered":"Le Dialogue politique qui unit The Secret Agent et Une bataille apr\u00e8s l&rsquo;autre"},"content":{"rendered":"<p><div class=\"key-takeaways\"><h3>En quelques mots<\/h3><p>Cr\u00e9\u00e9 avec l&#039;IA - on travaille encore dessus ! D\u00e9sol\u00e9 si \u00e7a ne correspond pas tout \u00e0 fait \u00e0 vos attentes.<\/p><ul><li style=\"margin-bottom: 8px;\">Films nomin\u00e9s aux Oscars analys\u00e9s partagent des pr\u00e9occupations th\u00e9matiques sur la soci\u00e9t\u00e9 contemporaine, certains \u00e9voquant un style cin\u00e9matographique des ann\u00e9es 1970 pour explorer les anxi\u00e9t\u00e9s politiques modernes.<\/li><li style=\"margin-bottom: 8px;\">Agent secret et Un combat apr\u00e8s l&#039;autre ont des approches diff\u00e9rentes quant au r\u00f4le du cin\u00e9ma dans l&#039;interpr\u00e9tation du monde : le premier consid\u00e8re qu&#039;il est un gardien de l&#039;histoire et des exp\u00e9riences partag\u00e9es, tandis que le deuxi\u00e8me met en avant le spectacle et sa propre langue cin\u00e9matographique.<\/li><li style=\"margin-bottom: 8px;\">Les deux films pr\u00e9sentent le radicalisme politique et son impact sur l&#039;identit\u00e9 individuelle, avec Une Bataille apr\u00e8s l&#039;autre remettant en question les cons\u00e9quences de l&#039;engagement personnel et la mani\u00e8re dont l&#039;adh\u00e9sion profonde \u00e0 une cause fa\u00e7onne l&#039;identit\u00e9 d&#039;une personne.<\/li><li style=\"margin-bottom: 8px;\">Les deux films diff\u00e8rent dans leur traitement de la politique, de la m\u00e9moire et de l&#039;histoire : L&#039;Agent secret sugg\u00e8re que se souvenir du pass\u00e9 constitue un acte politique, tandis qu&#039;Un combat apr\u00e8s l&#039;autre traite le pass\u00e9 comme mati\u00e8re pour des sc\u00e8nes stylis\u00e9es et des histoires ironiques,risquant ainsi de minimiser des probl\u00e8mes historiques complexes.<\/li><\/ul><\/div><br \/>\n<h3>Recommended products<\/h3><p class=\"aws-affiliate-disclaimer\">This page contains affiliate links. As an Amazon Associate, we earn a commission from purchases made through these links.<\/p><div class=\"aws-product-grid\"><div class=\"aws-product-card\"><div class=\"aws-product-image\"><a href=\"https:\/\/www.amazon.com\/American-Gift-Services-Vintage-11-24x36\/dp\/B07KRPP6YS\/ref=sr_1_3?tag=playersforlif-20\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><img decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/I\/71l7JoptHoL._AC_SY879_.jpg\" alt=\"American Gift Services - Vintage Rat Pack Dean Martin Frank Sinatra Movie Poster Oceans 11-24x36\" title=\"\"><\/a><\/div><div class=\"aws-product-content\"><h4><a href=\"https:\/\/www.amazon.com\/American-Gift-Services-Vintage-11-24x36\/dp\/B07KRPP6YS\/ref=sr_1_3?tag=playersforlif-20\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">American Gift Services - Vintage Rat Pack Dean Martin Frank Sinatra Movie Poster Oceans 11-24x36<\/a><\/h4><div class=\"aws-product-prices\"><span class=\"aws-current-price\">$13.99<\/span><\/div><\/div><\/div><\/div>\n        <style>\n            .aws-affiliate-disclaimer {\n                font-size: 13px;\n                color: #666;\n                margin: 4px 0 16px 0;\n            }\n\n            .aws-product-grid {\n                display: grid;\n                grid-template-columns: repeat(3, 1fr);\n                gap: 20px;\n                margin: 20px 0;\n            }\n            \n            .aws-product-card {\n                border: 1px solid #e0e0e0;\n                border-radius: 8px;\n                overflow: hidden;\n                background: #fff;\n                box-shadow: 0 2px 4px rgba(0,0,0,0.1);\n                transition: transform 0.2s ease, box-shadow 0.2s ease;\n                position: relative;\n            }\n            \n            .aws-product-card:hover {\n                transform: translateY(-2px);\n                box-shadow: 0 4px 8px rgba(0,0,0,0.15);\n            }\n            \n            .aws-discount-badge {\n                position: absolute;\n                top: 10px;\n                right: 10px;\n                background: #ff4444;\n                color: white;\n                padding: 4px 8px;\n                border-radius: 4px;\n                font-size: 12px;\n                font-weight: bold;\n                z-index: 2;\n            }\n            \n            .aws-product-image {\n                width: 100%;\n                height: 200px;\n                overflow: hidden;\n                background: #f5f5f5;\n            }\n            \n            .aws-product-image img {\n                width: 100%;\n                height: 100%;\n                object-fit: contain;\n                transition: transform 0.2s ease;\n            }\n            \n            .aws-product-image:hover img {\n                transform: scale(1.05);\n            }\n            \n            .aws-product-image a {\n                display: block;\n                width: 100%;\n                height: 100%;\n            }\n            \n            .aws-product-content {\n                padding: 15px;\n            }\n            \n            .aws-product-content h4 {\n                margin: 0 0 10px 0;\n                font-size: 16px;\n                line-height: 1.3;\n            }\n            \n            .aws-product-content h4 a {\n                color: #333;\n                text-decoration: none;\n                transition: color 0.2s ease;\n            }\n            \n            .aws-product-content h4 a:hover {\n                color: #0073aa;\n            }\n            \n            .aws-product-prices {\n                display: flex;\n                align-items: center;\n                gap: 8px;\n                font-weight: bold;\n            }\n            \n            .aws-original-price {\n                text-decoration: line-through;\n                color: #999;\n                font-size: 14px;\n            }\n            \n            .aws-discounted-price {\n                color: #ff4444;\n                font-size: 16px;\n            }\n            \n            .aws-current-price {\n                color: #333;\n                font-size: 16px;\n            }\n            \n            \/* Tablet styles - 2 columns *\/\n            @media (max-width: 768px) {\n                .aws-product-grid {\n                    grid-template-columns: repeat(2, 1fr);\n                    gap: 15px;\n                }\n                \n                .aws-product-image {\n                    height: 180px;\n                }\n            }\n            \n            \/* Mobile styles - 1 column *\/\n            @media (max-width: 480px) {\n                .aws-product-grid {\n                    grid-template-columns: 1fr;\n                    gap: 15px;\n                }\n                \n                .aws-product-image {\n                    height: 220px;\n                }\n                \n                .aws-product-content {\n                    padding: 12px;\n                }\n            }\n        <\/style><\/p>\n<p>Dans leur analyse pour Midia Ninja, Leandro Marinho et Victor Hugo Fiuza observent que les films nomin\u00e9s cette ann\u00e9e aux Oscars, bien qu&rsquo;ils paraissent disparates, partagent des pr\u00e9occupations th\u00e9matiques concernant la soci\u00e9t\u00e9 contemporaine. Ils citent le film de Kleber Mendon\u00e7a Filho, The Secret Agent, et celui de Paul Thomas Anderson, One Battle After Another, comme exemples de films qui \u00e9voquent un style cin\u00e9matographique des ann\u00e9es 1970 pour explorer les angoisses politiques modernes. Bien qu&rsquo;ils ne se d\u00e9roulent pas dans les ann\u00e9es 1970, ces films puisent dans la tension politique et la parano\u00efa de l&rsquo;\u00e9poque, interpr\u00e9tant des temps incertains \u00e0 travers leur style unique. Les deux films ont une qualit\u00e9 nostalgique qui reconna\u00eet le pouvoir du cin\u00e9ma pour interpr\u00e9ter le monde, bien que leurs approches soient diff\u00e9rentes. The Secret Agent traite le cin\u00e9ma comme un conservateur de l&rsquo;histoire et des exp\u00e9riences partag\u00e9es, un archives sensible de la m\u00e9moire culturelle. One Battle After Another, quant \u00e0 lui, met l&rsquo;accent sur le spectacle et sa propre langue cin\u00e9matographique plut\u00f4t que sur les implications politiques directes. Dans le film br\u00e9silien, le cin\u00e9ma est tiss\u00e9 dans l&rsquo;histoire \u00e0 travers les salles de cin\u00e9ma, les projections de films et les exp\u00e9riences collectives de visionnage. Steven Spielberg&rsquo;s Jaws (1975) appara\u00eet comme une r\u00e9f\u00e9rence pour les cin\u00e9philes ainsi qu&rsquo;une all\u00e9gorie pour la dictature civile-militaire br\u00e9silienne. Le film d&rsquo;Anderson se concentre davantage sur les \u00e9l\u00e9ments formels, tels que le montage, l&rsquo;action chor\u00e9graphi\u00e9e et la mise en sc\u00e8ne contr\u00f4l\u00e9e, pour g\u00e9n\u00e9rer de l&rsquo;humour.<\/p>\n<p>Le sens de l&rsquo;humour dans One Battle After Another est une satire percutante qui cr\u00e9e une distance en mettant en \u00e9vidence des ironies. La com\u00e9die ne vient pas des exp\u00e9riences des personnages eux-m\u00eames, mais de la perspective d\u00e9tach\u00e9e du r\u00e9alisateur. The Secret Agent, en revanche, trouve l&rsquo;humour dans la r\u00e9alit\u00e9 de la vie quotidienne \u2013 dans des situations inattendues et la simple joie d&rsquo;observer les gens, m\u00eame les individus imparfaits. Le r\u00e9alisateur traite chaque personnage avec une curiosit\u00e9 respectueuse qui renforce l&rsquo;impact de l&rsquo;histoire. The Secret Agent et One Battle After Another divergent \u00e9galement dans leur traitement de la politique, de la m\u00e9moire et de l&rsquo;histoire. Dans The Secret Agent, les souvenirs fonctionnent comme des indices fragment\u00e9s, r\u00e9v\u00e9lant l&rsquo;histoire \u00e0 travers des vides, des silences et des images hant\u00e9es qui refl\u00e8tent l&rsquo;impact durable de la dictature br\u00e9silienne. Le film utilise des personnages incomplets, des r\u00e9cits rompus et des l\u00e9gendes urbaines pour d\u00e9peindre une soci\u00e9t\u00e9 marqu\u00e9e par la mort et l&rsquo;amn\u00e9sie sociale.<\/p>\n<h2>Exploration de l&rsquo;identit\u00e9 politique et des perspectives cin\u00e9matographiques : une \u00e9tude comparative de \u00ab\u00a0one Battle After Another\u00a0\u00bb et \u00ab\u00a0The Secret Agent\u00a0\u00bb<\/h2>\n<p>One Battle After Another aborde le radicalisme politique et la militance en questionnant les cons\u00e9quences de l&rsquo;engagement personnel et la mani\u00e8re dont l&rsquo;adh\u00e9sion profonde \u00e0 une cause fa\u00e7onne l&rsquo;identit\u00e9 individuelle. Les personnages Bob Ferguson, interpr\u00e9t\u00e9 par Leonardo DiCaprio, et Perfidia Beverly Hills, interpr\u00e9t\u00e9 par Teyana Taylor, lutteront contre la parano\u00efa, le ressentiment et leur d\u00e9vouement au radicalisme, emp\u00eachant ainsi de voir leurs exp\u00e9riences dans un contexte plus large. Le film sugg\u00e8re que le radicalisme politique devient obsessionnel. Ces questions alimentent les d\u00e9bats centraux de One Battle After Another. Les deux films pr\u00e9sentent finalement le cin\u00e9ma comme plus qu&rsquo;un simplemedium de repr\u00e9sentation, le d\u00e9crivant plut\u00f4t comme un outil pour fa\u00e7onner les perspectives historiques, bien qu&rsquo;ils diff\u00e8rent dans leur traitement de la m\u00e9moire. The Secret Agent sugg\u00e8re que se souvenir du pass\u00e9 constitue un acte politique, r\u00e9sistant \u00e0 l&rsquo;effacement d&rsquo;\u00e9v\u00e9nements significatifs. One Battle After Another traite le pass\u00e9 comme une mati\u00e8re pour des sc\u00e8nes stylis\u00e9es et des histoires ironiques, ce qui, bien que visuellement impressionnant, risque de trivialiser les questions historiques complexes. Malgr\u00e9 leurs origines distinctes et leurs philosophies cin\u00e9matographiques, Kleber Mendon\u00e7a Filho et Paul Thomas Anderson \u00e9clairent tous deux le d\u00e9fi d&rsquo;aborder la politique contemporaine au milieu de souvenirs historiques contest\u00e9s et incertains, offrant des r\u00e9ponses cin\u00e9matographiques uniques.<\/p>\n<h2>Au cas o\u00f9 vous l&rsquo;auriez manqu\u00e9<\/h2>\n<p>R\u00e9cemment, Marcus Thompson sur Players For Life a examin\u00e9 comment le virage de Remedy Entertainment loin de Firebreak pourrait fa\u00e7onner l&rsquo;avenir du jeu apr\u00e8s la cessation de son soutien service <a href=\"https:\/\/playersforlife.com\/fr\/2026\/03\/19\/remedy-arrete-le-support-de-son-jeu-firebreak\/\" target=\"_blank\" rel=\"noopener noreferrer\">Remedy arr\u00eate le support de son jeu Firebreak<\/a>. Dans le m\u00eame temps, Ahmed Hassan s&rsquo;est entretenu avec Wagner Moura qui a refl\u00e9t\u00e9 candidement sur sa premi\u00e8re exp\u00e9rience aux Oscars tout en incarnant &lsquo;The Secret Agent&rsquo;, r\u00e9v\u00e9lant son soulagement \u00e0 mesure que la saison des r\u00e9compenses prenait fin <a href=\"https:\/\/playersforlife.com\/fr\/2026\/03\/17\/wagn\/\" target=\"_blank\" rel=\"noopener noreferrer\">Wagn<\/a>. Et Speaking of Oscars, Ahmed a \u00e9galement publi\u00e9 un article perspicace sur l&rsquo;\u00e9v\u00e9nement r\u00e9cent, mettant en avant &lsquo;Battle Each Afterward&rsquo; de Paul Thomas Anderson comme le grand gagnant de la soir\u00e9e <a href=\"https:\/\/playersforlife.com\/fr\/2026\/03\/16\/un-combat-apres-l-autre-le-grand-vainqueur-des-oscars\/\" target=\"_blank\" rel=\"noopener noreferrer\">Un Combat apr\u00e8s l&rsquo;autre : Le grand vainqueur des Oscars<\/a>.<\/p>\n<p><iframe title=\"SBIFF Cinema Society Q&amp;A - The Secret Agent\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/d7eOGCjykMY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n<div class=\"specifications\"><h2><\/h2><p class=\"specifications__disclaimer\"><\/p><div class=\"pcrstb-wrap\"><table class=\"specifications__table\"><thead><tr><th class=\"specifications__key-header\">Specification<\/th><th class=\"specifications__value-header\"><\/th><\/tr><\/thead><tbody><tr class=\"specifications__row\" data-index=\"1\"><td class=\"specifications__key\">Official Name<\/td><td class=\"specifications__value\">The Secret Agent<\/td><\/tr><tr class=\"specifications__row\" data-index=\"2\"><td class=\"specifications__key\">Brief Summary<\/td><td class=\"specifications__value\">Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.<\/td><\/tr><tr class=\"specifications__row\" data-index=\"3\"><td class=\"specifications__key\">Released<\/td><td class=\"specifications__value\">July 23, 2025<\/td><\/tr><tr class=\"specifications__row\" data-index=\"4\"><td class=\"specifications__key\">Duration<\/td><td class=\"specifications__value\">161 minutes<\/td><\/tr><tr class=\"specifications__row\" data-index=\"5\"><td class=\"specifications__key\">Genre<\/td><td class=\"specifications__value\">Crime, Drama, Thriller<\/td><\/tr><tr class=\"specifications__row\" data-index=\"6\"><td class=\"specifications__key\">Production Companies<\/td><td class=\"specifications__value\">Lemming Film, One Two Films, CinemaSc\u00f3pio, ARTE France Cin\u00e9ma, MK Productions, Primo Content, Ag\u00eancia Nacional do Cinema - ANCINE, Banco Regional de Desenvolvimento do Extremo Sul, Fundo Setorial do Audiovisual<\/td><\/tr><tr class=\"specifications__row\" data-index=\"7\"><td class=\"specifications__key\">Countries of Origin<\/td><td class=\"specifications__value\">BR<\/td><\/tr><tr class=\"specifications__row\" data-index=\"8\"><td class=\"specifications__key\">Actors<\/td><td class=\"specifications__value\">Wagner Moura, T\u00e2nia Maria, Alice Carvalho, Maria Fernanda C\u00e2ndido, Gabriel Leone, Udo Kier, Carlos Francisco, Thom\u00e1s Aquino, Hermila Guedes, Rob\u00e9rio Di\u00f3genes, Roney Villela, Isab\u00e9l Zuaa, Isadora Ruppert, Laura Luf\u00e9si, Igor de Ara\u00fajo, \u00cdtalo Martins, Jo\u00e3o Vitor Silva, Luciano Chirolli, Geane Albuquerque, Aline Marta Maia, Fafa Dantas, Suzy Lopes, Gregorio Graziosi, Jo\u00e1lisson Cunha, Buda Lira, Wilson Rabelo, Erivaldo Oliveira, Enzo Nunes, M\u00e1rcio De Paula, Fabiana Pirro, Rubens Santos, Kaiony Ven\u00e2ncio, Lic\u00ednio Janu\u00e1rio, Marcelo Valle, Robson Andrade, Albert Tenorio, Edilson Silva, Nivaldo Nascimento, Cely Farias, Beto Quirino, Mariza Moreira, Alexis Geller, Anjoum Noorani<\/td><\/tr><tr class=\"specifications__row\" data-index=\"9\"><td class=\"specifications__key\">Director<\/td><td class=\"specifications__value\">Kleber Mendon\u00e7a Filho<\/td><\/tr><tr class=\"specifications__row\" data-index=\"10\"><td class=\"specifications__key\">Authors<\/td><td class=\"specifications__value\">Kleber Mendon\u00e7a Filho<\/td><\/tr><tr class=\"specifications__row\" data-index=\"11\"><td class=\"specifications__key\">Producers<\/td><td class=\"specifications__value\">Emilie Lesclaux, Kleber Mendon\u00e7a Filho, Winston Ara\u00fajo<\/td><\/tr><tr class=\"specifications__row\" data-index=\"12\"><td class=\"specifications__key\">Ratings<\/td><td class=\"specifications__value\">7.341\/10 (542 reviews)<\/td><\/tr><tr class=\"specifications__row\" data-index=\"13\"><td class=\"specifications__key\">Homepage<\/td><td class=\"specifications__value\">https:\/\/www.neonrated.com\/film\/the-secret-agent<\/td><\/tr><\/tbody><\/table><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;exploration de leurs visions uniques, The Secret Agent et A Punch-Drunk Love utilisent tous deux une esth\u00e9tique nostalgique des ann\u00e9es 1970 pour tisser des narratives qui refl\u00e8tent l&rsquo;autoritarisme et les tensions politiques actuelles, avec des approches distinctes de l&rsquo;humour, de la m\u00e9moire et de l&rsquo;histoire.<\/p>\n","protected":false},"author":10,"featured_media":130604,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_lmt_disableupdate":"","_lmt_disable":"","movie_schema":"{\"url\":\"https:\/\/www.neonrated.com\/film\/the-secret-agent\",\"name\":\"The Secret Agent\",\"@type\":\"Movie\",\"actor\":[{\"name\":\"Wagner Moura\",\"@type\":\"Person\"},{\"name\":\"T\u00e2nia Maria\",\"@type\":\"Person\"},{\"name\":\"Alice Carvalho\",\"@type\":\"Person\"},{\"name\":\"Maria Fernanda C\u00e2ndido\",\"@type\":\"Person\"},{\"name\":\"Gabriel Leone\",\"@type\":\"Person\"},{\"name\":\"Udo Kier\",\"@type\":\"Person\"},{\"name\":\"Carlos Francisco\",\"@type\":\"Person\"},{\"name\":\"Thom\u00e1s Aquino\",\"@type\":\"Person\"},{\"name\":\"Hermila Guedes\",\"@type\":\"Person\"},{\"name\":\"Rob\u00e9rio Di\u00f3genes\",\"@type\":\"Person\"},{\"name\":\"Roney Villela\",\"@type\":\"Person\"},{\"name\":\"Isab\u00e9l Zuaa\",\"@type\":\"Person\"},{\"name\":\"Isadora Ruppert\",\"@type\":\"Person\"},{\"name\":\"Laura Luf\u00e9si\",\"@type\":\"Person\"},{\"name\":\"Igor de Ara\u00fajo\",\"@type\":\"Person\"},{\"name\":\"\u00cdtalo Martins\",\"@type\":\"Person\"},{\"name\":\"Jo\u00e3o Vitor Silva\",\"@type\":\"Person\"},{\"name\":\"Luciano Chirolli\",\"@type\":\"Person\"},{\"name\":\"Geane Albuquerque\",\"@type\":\"Person\"},{\"name\":\"Aline Marta Maia\",\"@type\":\"Person\"},{\"name\":\"Fafa Dantas\",\"@type\":\"Person\"},{\"name\":\"Suzy Lopes\",\"@type\":\"Person\"},{\"name\":\"Gregorio Graziosi\",\"@type\":\"Person\"},{\"name\":\"Jo\u00e1lisson Cunha\",\"@type\":\"Person\"},{\"name\":\"Buda Lira\",\"@type\":\"Person\"},{\"name\":\"Wilson Rabelo\",\"@type\":\"Person\"},{\"name\":\"Erivaldo Oliveira\",\"@type\":\"Person\"},{\"name\":\"Enzo Nunes\",\"@type\":\"Person\"},{\"name\":\"M\u00e1rcio De Paula\",\"@type\":\"Person\"},{\"name\":\"Fabiana Pirro\",\"@type\":\"Person\"},{\"name\":\"Rubens Santos\",\"@type\":\"Person\"},{\"name\":\"Kaiony Ven\u00e2ncio\",\"@type\":\"Person\"},{\"name\":\"Lic\u00ednio Janu\u00e1rio\",\"@type\":\"Person\"},{\"name\":\"Marcelo Valle\",\"@type\":\"Person\"},{\"name\":\"Robson Andrade\",\"@type\":\"Person\"},{\"name\":\"Albert Tenorio\",\"@type\":\"Person\"},{\"name\":\"Edilson Silva\",\"@type\":\"Person\"},{\"name\":\"Nivaldo Nascimento\",\"@type\":\"Person\"},{\"name\":\"Cely Farias\",\"@type\":\"Person\"},{\"name\":\"Beto Quirino\",\"@type\":\"Person\"},{\"name\":\"Mariza Moreira\",\"@type\":\"Person\"},{\"name\":\"Alexis Geller\",\"@type\":\"Person\"},{\"name\":\"Anjoum Noorani\",\"@type\":\"Person\"}],\"genre\":[\"Crime\",\"Drama\",\"Thriller\"],\"image\":\"https:\/\/image.tmdb.org\/t\/p\/original\/rZqolYhxMEe6TZZTjSmFw9crDTD.jpg\",\"author\":[{\"name\":\"Kleber Mendon\u00e7a Filho\",\"@type\":\"Person\"}],\"trailer\":[{\"url\":\"https:\/\/www.youtube.com\/watch?v=9UfrzDKrhEc\",\"name\":\"Official Trailer [Subtitled]\",\"@type\":\"VideoObject\"}],\"@context\":\"https:\/\/schema.org\",\"director\":[{\"name\":\"Kleber Mendon\u00e7a Filho\",\"@type\":\"Person\"}],\"duration\":\"PT161M\",\"producer\":[{\"name\":\"Emilie Lesclaux\",\"@type\":\"Person\"},{\"name\":\"Kleber Mendon\u00e7a Filho\",\"@type\":\"Person\"},{\"name\":\"Winston Ara\u00fajo\",\"@type\":\"Person\"}],\"identifier\":[{\"name\":\"TMDB 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