During the halftime commercial break of the Euro 2024 semi-final match between France and Spain, TF1 decided to unveil for the first time the trailer for Cat’s Eyes, a series produced by the channel set to air starting next term. This is a significant event as this small-screen adaptation is among the animated shows that captivated an entire generation now in their forties. Following Nicky Larson/City Hunter, Tsukasa Hôjô has thus entrusted France with bringing his work to life in live-action, featuring our own actresses. Tamara Chamade, known as Tam, will be played by the energetic Camille Lou (we are big fans), while her sisters Sylia and Alexia are portrayed on screen by Constance Labbé and Claire Romain respectively.
For the character of Quentin, the somewhat clumsy inspector, MB14 has been cast. MB14 is a singer who gained recognition on The Voice, a televised singing competition. Gilbert Melki will play the role of the Chief of Police. Carole Bouquet has also been announced as part of the cast, although her specific role is not yet confirmed, but she is likely to take on the character of the partner of the Police Director. In contrast, Elodie Fontan will portray the antagonist who aims to hinder the plans of our three protagonists. The plot remains largely unchanged, but with some creative liberties, our trio of sisters seeks vengeance for their father’s death 12 years ago in a fire at his art gallery. They aim to recover a painting that once belonged to their father and resurfaced during an esteemed exhibition at the Eiffel Tower, leading them to suspect foul play regarding the fire. The series will consist of eight episodes, each lasting 52 minutes, directed by Alexandre Laurent, known for directing “Le bazar de la charité” and “Les combattantes”.
On social media, opinions about the announcement vary widely, with a notable trend toward disinterest and even mockery. Some view it negatively due to its production by TF1, while others criticize what they perceive as a distinctly French approach that detracts from the original work. However, there are also more balanced comments reminding us of Philippe Lacheau’s successful adaptation of Club Dorothée in 2018. This suggests that we should remain open to the possibility of an unexpected positive outcome…
