Current Films Are a Mess, Blasts Ridley Scott

Key Takeaways

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  • Ridley Scott is concerned about the state of Hollywood, believing that quantity has been prioritized over quality in recent film productions.
  • According to Scott, many new films are mediocre, with only a few exceptions that are truly good or fantastic.
  • Scott attributes this decline to an excessive focus on visual effects, suggesting that a solid story should be the primary focus.
  • Despite his concerns, Scott finds solace in revisiting his own work, which he feels does not age and remains watchable even today.

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Hollywood’s Quantity Over Quality Crisis, Scott Laments and Finds Rare Gems Amidst Mediocrity

Ridley Scott believes Hollywood has prioritized quantity over quality. During a recent Question and Answer session with fans, he stated he rarely watches new films, finding most of them mediocre, though he acknowledges that some are fantastic and many are merely “just okay.” “I find myself watching my own stuff,” he quipped with a laugh. “They don’t age, you know. I watched Black Hawk Down recently and thought, ‘Not bad.’ But it’s rare to see something good these days.” Scott attributes this decline to excessive spending on visual effects, arguing that filmmakers should instead focus on a solid story. “It’s like they’re using film as a weapon,” he remarked.

In Case You Missed It

For those intrigued by the intersection of classic Hong Kong cinema and contemporary French filmmaking, Jonathan Dubinski’s latest piece, “The Killer (Omar Sy): When John Woo Does ‘Plus Belle La Vie’, But With Slow Motions,” published on October 23rd, offers a fascinating critique. As John Woo ventures into remaking his iconic film with an international twist set in Paris, the result is a nostalgic yet somewhat outdated spectacle that fails to capture the essence of its original brilliance. Dive deeper into this thought-provoking analysis at The Killer (Omar Sy): When John Woo Does ‘Plus Belle La Vie’, But With Slow Motions to explore the challenges of adapting timeless classics for a modern audience. For those who are fans of epic cinema and bold directorial vision, “Gladiator 2: Brutal, Masculine, Eccentric, Thank You Ridley Scott” (CRITIQUE) by Bruno Pferd, published on November 11, 2024, offers a deep dive into Ridley Scott’s latest opus. Exploring the film’s grand spectacle and its unique take on the decline of empires, this critique highlights the stellar performances of newcomers like Paul Mescal alongside seasoned actors in eccentric roles. While “Gladiator 2” diverges from the emotional depth of its predecessor, it delivers an intense action-packed experience that aligns with Scott’s evolving style. Don’t miss Bruno Pferd’s insightful analysis; head over to Gladiator 2: Brutal, Masculine, Eccentric, Thank You Ridley Scott (CRITIQUE) for a thorough exploration of this cinematic endeavor. If you’re curious about the intriguing behind-the-scenes decisions that shape Hollywood blockbusters, be sure to check out “Ridley Scott Declined Terminator 3 Offer” by Sophie Laurent, published on August 31, 2025. In this post, we delve into why director Ridley Scott turned down a $20 million offer to helm the third installment of one of cinema’s most iconic franchises. Discover how his artistic vision and previous work influenced his decision to step away from Terminator 3 Ridley Scott Declined Terminator 3 Offer and the impact this choice had on both Scott’s career and the franchise itself.


Specification
Official NameDuelling Directors: Ridley Scott & Kevin Reynolds
Brief SummaryDirectors Ridley Scott and Kevin Reynolds talk about the film The Duellists. Reynolds interviews Scott while watching the movie, and they examine some of the key visual shots that Scott created and that eventually got him recognized as one of the best visual directors of our time.
ReleasedDecember 3, 2002
Duration29 minutes
GenreDocumentary
Production CompaniesParamount Home Entertainment
Countries of OriginUS
ActorsRidley Scott, Kevin Reynolds, Keith Carradine, Harvey Keitel, David Puttnam, Gerald Vaughan-Hughes
DirectorCharles de Lauzirika
ProducersCharles de Lauzirika

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